The Cuban population is a melting pot of cultural mixes from every corner of the world. The multitudes of euphonyal genres that make up Cuban design of medicine are part of Cubans daily lives. The fusion of the impertinent African and European cultures gave rise to a process of transculturation, producing a creolised culture that absorbed afterwards migrants (French, Chinese, Jamaicans, Haitians and Mexicans). The Cuban culture would subsequent receive a strong influence in the ordinal century from Italy and in the 20th century from the United States. This queer together panorama of migrations and cultures has characterised the historical development of music in Cuba. In this essay I am going to analyse he contribution made to the different Cuban musical genres by the various ethnical groups that have populated Cuba. I expire behind do this by looking at the primary(prenominal) genres of music in Cuba and the main ethnic groups. During the period of colony and sup remacy of Cuba by the Spanish, many changes took place in the ethnic report card of the country. In less than fifty years, nformer(a) both the Amerindian innate peoples of the island (Taino, Arawak and Ciboney) were exterminated. In the early 1400s the hard worker trade from Africa began and in the early 1500s many Africans were brought to Cuba, some as slaves, some free.
Cuban music would be born from the progressive encounter of slave traditions brought from Africa and those of the innocence populations of Europe. Italian and French tunes, Spanish tangos, flamencos, romances and quadrilles would mix with African and Ame rindian music. It is for this crusade that ! the more significant roots in the Cuban nationality are Spanish and African, although the incorporation of migrations from other geographical areas much(prenominal) as Asia, the US, and neighbouring islands of the Caribbean have also participated in the definition... If you want to get a full essay, order it on our website: OrderCustomPaper.com
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