Hamlet and King Lear - Edgar and Lear :: comparison compare contrast essays

Hamlet and fagot Lear Madness- Ophelia in Hamlet and Edgar in great power Lear In two Hamlet and King Lear, Shakespeare incorporates a theme of madness with two characters genius truly mad, and one only acting mad to serve a motive. The madness of Hamlet is frequently disputed. This paper argues that the contrapuntal character in each play, namely Ophelia in Hamlet and Edgar in King Lear, acts as a balancing argu workforcet to the other characters madness or sanity. King Lears more decisive distinction between Lears frailty of mind and Edgars artificial madness works to better define the relationship between Ophelias sectionalisation and Hamlets north-north-west brand of alienation. Both plays offer a character on each side of sanity, alone in Hamlet the distinction is not as clear as it is in King Lear. Using the more evident relationship in King Lear, one finds a better dread of the relationship in Hamlet. While Shakespeare does not directly pit Ophelias insanity (or partitioning) against Hamlets madness, there is instead a clear definitiveness in Ophelias condition and a clear uncertainty in Hamlets madness. Obviously, Hamlets character offers more evidence, while Ophelias breakdown is quick, but more conclusive in its precision. Shakespeare offers clear evidence pointing to Hamlets sanity beginning with the first scene of the play. Hamlet begins with guards whose main importance in the play is to give credibility to the ghost. If Hamlet were to see his fathers ghost in private, the argument for his madness would greatly improve. Yet, not one, but three men together witness the ghost before even thinking to report Hamlet. As Horatio says, being the only of the guards to play a significant component in the rest of the play, Before my God, I mightiness not this desire / Without the sensible and true avouch / Of mine own eyes. (I.i.56-8) Horatio, who appears frequently throughout the play, acts as an unquestionably sane alibi to Hamlet again when soma the King with his reaction to the play. That Hamlet speaks to the ghost alone detracts somewhat from its credibility, but all the men are witness to the ghost demanding they speak alone. Horatio offers an perceptive warning What if it tempts you toward the flood, my lord, Or to the dreadful summit of the cliff That beetles oer his plate into the sea, And there assume some other horrible form Which might deprive your sovereignty of reason, And draw you into madness?